认识一下我们的导演兼主人公，26岁的帕特里·卢卡宁。生活在存在危机当中，一个主意让他眼前一亮：他的幸福与快乐也许可以从他的自身存在中重建。他真正需要的是什么，而这些物件又是否是他需要的？ 　　他想到了一个实验：把自己所有的物件储藏起来，每天只拿一样东西回来。实验的结果非常有趣。每日的冒险让他距离内心的空白越来越近——这个为期一年的实验道出了人生的本质。

认识一下我们的导演兼主人公，26岁的帕特里·卢卡宁。生活在存在危机当中，一个主意让他眼前一亮：他的幸福与快乐也许可以从他的自身存在中重建。他真正需要的是什么，而这些物件又是否是他需要的？ 　　他想到了一个实验：把自己所有的物件储藏起来，每天只拿一样东西回来。实验的结果非常有趣。每日的冒险让他距离内心的空白越来越近——这个为期一年的实验道出了人生的本质。

Joan Jett is so much more than “I Love Rock ’n’ Roll.” It’s true, she became mega-famous from the number-one hit, and that fame intensified with the music video’s endless play on MTV. But that staple of popularity can’t properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, influencing many musicians—both her cohort of punk rockers and generations of younger bands—with her no-bullshit style. 　　Bad Reputation gives you a wild ride as Jett and her close friends tell you how it really was in the burgeoning ’70s punk scene, and their interviews are laced with amazing archival footage. The theme is clear: even though people tried to define Jett and keep her stuck to one hit, she never compromised. She will kick your ass, and you’ll love her all the more for it. 　　Mon. 1/22, 2:30 p.m., MARC, PC 　　Tue. 1/23, 8:30 p.m., Egyptian, PC 　　Fri. 1/26, 3:00 p.m., Redstone 7, PC 　　Sat. 1/27, 9:30 p.m., Wagner, SLC 　　YEAR 2017 　　SECTION Doc Premieres 　　COUNTRY U.S.A. 　　RUN TIME 92 min 　　COMPANY PMK*BNC 　　WEBSITE http://www.pmkbnc.com 　　EMAIL [email protected] 　　PHONE 310-967-7247 　　Director 　　Kevin Kerslake 　　Screenwriter 　　Joel Marcus 　　Producers 　　Peter Afterman 　　 　　Carianne Brinkman 　　Executive Producers 　　Dan Braun 　　 　　Justus Haerder 　　 　　Kathy Rivkin-Daum 　　Co Producers 　　Alessandra Pasquino 　　 　　Margaret Yen 　　Additional Cinematography/Interviews 　　Greg Olliver 　　Post Production Supervisor 　　Alessandra Pasquino 　　Assistant Editor 　　Avo John Kambourian 　　Music Supervisor 　　Margaret Yen 　　Editor 　　Joel Marcus 　　Cinematography 　　Kevin Kerslake 　　Composer 　　Jacques Brautbar

Joan Jett is so much more than “I Love Rock ’n’ Roll.” It’s true, she became mega-famous from the number-one hit, and that fame intensified with the music video’s endless play on MTV. But that staple of popularity can’t properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, influencing many musicians—both her cohort of punk rockers and generations of younger bands—with her no-bullshit style. 　　Bad Reputation gives you a wild ride as Jett and her close friends tell you how it really was in the burgeoning ’70s punk scene, and their interviews are laced with amazing archival footage. The theme is clear: even though people tried to define Jett and keep her stuck to one hit, she never compromised. She will kick your ass, and you’ll love her all the more for it. 　　Mon. 1/22, 2:30 p.m., MARC, PC 　　Tue. 1/23, 8:30 p.m., Egyptian, PC 　　Fri. 1/26, 3:00 p.m., Redstone 7, PC 　　Sat. 1/27, 9:30 p.m., Wagner, SLC 　　YEAR 2017 　　SECTION Doc Premieres 　　COUNTRY U.S.A. 　　RUN TIME 92 min 　　COMPANY PMK*BNC 　　WEBSITE http://www.pmkbnc.com 　　EMAIL [email protected] 　　PHONE 310-967-7247 　　Director 　　Kevin Kerslake 　　Screenwriter 　　Joel Marcus 　　Producers 　　Peter Afterman 　　 　　Carianne Brinkman 　　Executive Producers 　　Dan Braun 　　 　　Justus Haerder 　　 　　Kathy Rivkin-Daum 　　Co Producers 　　Alessandra Pasquino 　　 　　Margaret Yen 　　Additional Cinematography/Interviews 　　Greg Olliver 　　Post Production Supervisor 　　Alessandra Pasquino 　　Assistant Editor 　　Avo John Kambourian 　　Music Supervisor 　　Margaret Yen 　　Editor 　　Joel Marcus 　　Cinematography 　　Kevin Kerslake 　　Composer 　　Jacques Brautbar

一名天真浪漫的高中男孩志豪，為了向心儀的女同學亮瑀告白，與她一同在深夜前往學校偷考卷。過程中卻意外撞見學校傳說中的女鬼，並陰錯陽差地與女鬼相戀。

一名天真浪漫的高中男孩志豪，為了向心儀的女同學亮瑀告白，與她一同在深夜前往學校偷考卷。過程中卻意外撞見學校傳說中的女鬼，並陰錯陽差地與女鬼相戀。

影像以追尋Olonyok（Tano Bora 獵豹兄弟組合團員）為引子，以追尋它的蹤跡而展開的保育園區田野紀錄。創作者以追隨者的角度，直觀且視觸地連動出原野中動物的行動痕跡。從而延展出景框以外動物的棲息場域、人與動物關係的延展討論，也由此直觀的視觸野生動物的命運狀態。 　　The Tano Bora, meaning ‘The Magnificent Five’ in Swahili, was the famed cheetah coalition here in the Masai Mara—captivating observers with their stealth, strategy, and striking beauty. The artist follows one of the cheetahs from the perspective of a follower, intuitively and visually connecting the traces of movement in the wilderness. The body image is used as a means of creation to extend the habitat of the animals beyond the frame. In this way, the cycle of "life and death" is explored, thus visually touching the traces of the fate of wild animals.

《生的狂欢――哈尼族奕车人节日一瞥》（中英文版） 　　 　　 　　主要内容： 　　该片以哈尼族奕车人支系的几个主要节日为线索，用影像系统描述了奕车人在节日期间的民俗活动和文化现象，如生殖崇拜舞蹈、原始狂欢活动; 节日之夜的集体社交和保留了某些对偶婚痕迹的原始婚俗，以及具有原始血祭特征，祈求丰收的“哈鲁哲”活动等。影片描述了哈尼族奕车人对种族繁衍、生存的渴望和对新生活的向往，用纪实性的影像语言描述了哈尼族的历史和独特的民俗。本片是“文革”之后，中国民族志电影重新启动的代表作。在中国民族志电影的拍摄中首次使用了纪实拍摄的方法。 　　导演：郝跃骏 　　摄影：惠松生、郝跃骏 　　撰稿：郝跃骏 邓启耀 　　摄影助理：毕 云 　　剪辑：李福基 　　配音：毕 克 　　制片人：吴初蕃 　　人类学顾问：杜玉亭 　　民族顾问:张克朗 　　版权：云南省社会科学院 　　拍摄时间：1984——1986年 　　拍摄地点：红河县 　　影片时长： 40分钟 　　影片格式：伊斯曼35毫米彩色影片 　　首映时地：上海社会科学院礼堂